*1996
| Selected Exhibitions | |
|---|---|
| 2026 | Anfänge Anthracite, Zurich |
| 2025 | Nowhere Yet – Low Resolution Spaces Wartsaal Wipkingen, Zurich |
| 2024 | Cut the Mustard Int. 24 Akku-Kunstplattform, Emmenbrücke |
| 2024 | Terms and Condition (Harun Farocki Institute) HGB Gallery, Leipzig |
| 2023 | Cut the Mustard 23 Lullin + Ferrari, Zurich |
| 2023 | Les Sons Sous la Tombe Kraftfeld, Winterthur |
| 2022 | Racing for Serenity / Please Be Kind Underpass Wipkingerplatz, Zurich |
| Education | |
|---|---|
| 2025–Present | Master Fine Arts ZHDK, Zurich |
| 2022–2025 | Bachelor Bildende Kunst (Fine Arts) HSLU, Lucerne |
| 2024 | Exchange Semester Class “Expanded Cinema” by Clemens von Wedemeyer HGB, Leipzig |
| 2020–2021 | Propädeutikum ZHDK, Zurich |
| 2011–2014 | IT Apprenticeship 3ATM, Neuhausen am Rheinfall |
| Selected Workplaces | |
|---|---|
| 2025–Present | Bouncer Exil Club, Zurich |
| 2023–2025 | Consulting Datenschutzbeauftragte des Kantons Zürich, Zurich |
| 2023 | Internship San Keller, Zurich |
| 2021–2025 | Selection / Awareness Club Zukunft, Zurich |
| 2021–2023 | Hosting Various Clubs, Zurich |
a reflection on the ambiguity and hybridity of growing up in an agglomeration, themes of identity, classism, and the feeling of being 'in-between' naturally emerge — caught between city and countryside, poor and rich, the working class and academics, apartment buildings and family homes.
these experiences and emotions, often rooted in autobiographical moments, are collected and stored across different spaces — not fully synchronized or comprehensible. through this decentralized process, thoughts are combined and translated into material output where concepts and influences are subtly woven into titles, descriptions, and deliberate nuances. the work should not present a single truth or straightforward interpretation; instead, it should provoke reflection and encourage personal experience.